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Sunday, November 23, 2008

Akasha Gopuram


Banner: Medient International Limited
Cast: Mohanlal, Geethu Mohandas, Nithya, Shweta Menon, Bharath Gopi, Manoj K Jayan, Sreenivasan
Direction: K P Kumaran
Music: John Altman

Click here to view Akasha Gopuram Scenes

Click here to listen Akasha Gopuram Songs

The movie which made headlines much before the release, primarily due to the international crew associated with the project and for the lavish budget that was being offered, lives up little to the expectations. The movie has Mohanlal as Albert Samson, the middle aged, and much ambitious and renowned architect. A Known master in constructing churches, his custom to climb up the completed castles to perform a dedication ceremony was always widely admired with surprises by the masses. Having reached the pinnacle of his profession, with a singular pursuit for fame and glory, he had been sacrificing his personal life and ethics. He lands up in further turmoil as younger generation under him, asks for professional freedom. Samson has already pulled down his mentor Abraham, who is now in his death bed with a last wish of seeing his son Alex, an assistant to Samson, as an independent builder. Samson has also crushed the peaceful life of his wife Alice, who is now left mentally unstable, following the untimely death of her twin children and parents. Into this hardened design of Samson's mind arrives a spirited girl, Hilda Varghese, who slowly but hypnotically prepares him to climb down the way of the ambitions, realizing the real tragic consequences.

The movie which is snailishly paced even in its one and half hour narratives largely remains as a play pictured on a film. Faltering largely to give visuals to the ibsenisque symbolisms, many of the celebrated imageries like ''Nine dolls'' and every ''curious stories'' attached with the discourses between Hilda and Samsun lay flat in the ill constructed script lines. At times the visuals move to left and right as if we view in a proscenium and the actors follow the light patches in circles and rectangles, not bettering anything than in a drama stage, with little eye for cinematic wizardry.

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